Splice
Edit · Colour · VFX · Motion

Cut. Graded. Delivered.

The reel below opens on a real photograph — ffmpeg gives it one deliberate camera move and a proper grade, the same restrained treatment we give a client’s own footage.

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The waveform above is a real luma reading of this footage — drag to scrub.

01
On the scopes

We watch the signal, not just the picture.

The two readouts below are not decoration. They sample the actual frame playing in the reel above, right now, the way a vectorscope and a waveform monitor read a real broadcast signal — chroma distribution on the left, luma across the frame on the right.

Vectorscope
Waveform
02
What we do

One studio, the whole finish.

Offline & online edit

Assembly through picture lock, then a full-resolution online conform — the two are different jobs and we never blur them together.

Colour grading

Scene-to-scene grading against a real reference monitor, delivered broadcast-safe when the spec calls for it.

VFX & compositing

Clean-up, tracking, comp work and CG integration sized to the shot, not oversold on shots that do not need it.

Motion graphics

Titles, lower-thirds and explainer sequences built to a brand system, not a stock template.

Broadcast design

Channel idents, on-air packaging and delivery masters that pass a real QC pass, not just a preview.

Live visuals

Real-time visual direction for events and broadcasts, run and monitored the night of the show.

03
Selected work

Reels on the shelf.

All reels
04
Start a project

Bring us a cut. We will make it land.

Tell us the brief and the deadline. We will tell you honestly whether it needs a full pipeline or just a tight edit and a grade.

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